If you think Jesus would have come into your home that day and not issued a strong rebuke to the head of household, you are mistaken. These words of condemnation have been haunting me for days now. They aren’t all that different than the soundtrack I play in my head on an almost-daily basis. It’s…
Historical imagination: author interview and review of Tracy Higley’s Garden of Madness
It’s been a year since I met Tracy Higley at an all-day writer’s workshop in the area, and I have yet to read a book she’s written that I haven’t loved. (Check out a past review here.) Her latest release, Garden of Madness, is another winner. In it, Higley takes us to Babylon during the seven years of madness of King Nebuchadnezzar. (For biblical background, see the book of Daniel.) The king’s daughter, Tiamet, finds herself widowed and a pawn in a power struggle to solidify the kingdom during the king’s mental absence. What I love about Higley’s books are that they are not direct retellings of biblical stories but are historical imaginations of events we don’t know much about. In this story, the familiar biblical character Daniel is given life, as is the prophet Jeremiah. Though we never meet the prophet, the importance of his letters to the exiles is highlighted. Sometimes, when I read the Bible, I forget that these are real events, not just words on a page.
FAVORITES: Higley writes characters who are compelling and realistic. Her books make me more interested in history especially the cultural and historical context in which the Bible was written.
FAULTS: Honestly, I can’t come up with one. The only “faults” I find are that I want to read more about the time periods in which she writes and I finish the story too quickly. Those aren’t bad things.
IN A WORD: Addictive. That’s probably not supposed to be a good thing, but I find every time I finish one of Higley’s novel, I’m ready for another.
Read on for an interview with the author and news of what’s coming up next from her.
Interview with Tracy L. Higley
Your novels are based, in part, on historical people and places. So, where do you draw the line between fact and fiction? For example, in Garden of Madness, at what point does the story become something that could have happened instead of a historical retelling of the facts?
Most of my novels brush very lightly against actual historical events. Whenever the people are historical, I try to remain true to what we know of them. But there are many gaps in the historical record, and that’s where I have fun filling in with my own imagination!
Often your characters have bold, sometimes frightening, confrontations with evil. How important is the portrayal of this conflict to your stories and what can modern-day readers learn from the stands your characters take?
Yes, the ancient world was probably more aware of and in touch with the spiritual evil in the world. I do think it’s important not to gloss over the often demonic influence of paganism. And I would hope that my readers would see that evil is something that can definitely be confronted and conquered, with the help of God.
Along those same lines, do you ever find yourself experiencing spiritual warfare or oppression when writing about good-versus-evil conflicts?
I don’t think I’ve experienced anything strange in the way of spiritual warfare, that others don’t experience. I do pray often, though, as I am exploring these concepts in my research, for protection. There are times when I am reading actual ancient spells, etc., that I get a little creeped out!
Your books and travels have taken you to beautiful and interesting places across the globe. What’s on your must-see list that you haven’t seen and/or written about yet?
I would love to visit Morocco someday. [I even love Morocco at Epcot!] I think it would be very cool to write a story set in Casablanca. I’d also like to write some stories set in the British Colonial empire – perhaps the West Indies or the Caribbean.
When you aren’t able to visit the location you’re writing about (as was the case with Garden of Madness), what are your best resources for accurately describing the setting and culture?
I take a multi-level approach to research before I begin writing, starting out with skimming textbooks to get a big-picture view of the time and place, then diving deeper for the details I need. As I write, I often leave “placeholders” for little details I don’t have at the time, then come back to those later and use the internet to dig out the small pieces.
What can we look forward to next from you?
I am just finishing up revisions on my next novel, set in Ephesus during the time of Paul – specifically during the incidents of Acts 19. It will be another story focusing on spiritual warfare and the pagan worship of Artemis, along with the early church’s victory over evil.
Connect with Tracy on her Web site and Facebook for the latest news, chances to win free books and travel journals from her research trips.
In exchange for my review, I was given a free advance digital copy of Garden of Madness from Thomas Nelson through the Booksneeze program.
Crafting with kids: an overachieving mom’s guide to making an artistic mess
Last week, the kids and I were fighting spring colds, and even though the temperature outside was reasonable for spring, the wind was gusty. I opted for an in-house project instead of playtime outside.
For a few weeks, I’d been wanting to make these.
They are magazine files made from cereal boxes, and I first saw the idea on this site. I’d marked up the cereal boxes but was waiting for the best time to drag out the scissors, glue and scrapbooking paper.
My kids are 4 and 2, so art projects in our house require lots of supervision and tons of help (not to mention a boatload of patience on my part.) I like making things, but I’ve never been very good at follow-the-rules kinds of crafts.
Anyway, they didn’t turn out too bad, and I only had to threaten one time that we were going to put it all away before were done. The mess was minimal, and we made something useful.
Craft projects with kids can be intimidating, especially if you’re a control freak perfectionist like me, but it can be done, and I hope the effort pays off later in life and that my kids enjoy creating things as much as I do. (Or more!)
Here are some tips I’m learning about crafting with kids.
- Be realistic. About how much time it’s going to take. About what you can accomplish. About the amount of mess you’re going to make. I usually approach these projects optimistically thinking “how hard could it be?” or “we could totally do that” and then find myself frustrated because I had unrealistic expectations. Repeat after me: The time is worth it. I don’t have to do every project I find on Pinterest with my kids this year. Messes clean up.
- Plan ahead. My kids have a short attention span. Case in point: Easter egg dyeing. Do you know how long five minutes is to a 4-year-old or a 2-year-old? I suspect the experience was slightly less than what they expected. With that in mind, if I can have some prep work done before I get them started, we’re more likely to succeed. For example, with the cereal box project, I measured the boxes ahead of time. I should have cut them, too, because in the down time when I was cutting, the kids were bored. Gather your supplies. Lay out newspapers (if you’re working on your kitchen table like we usually do). Take a deep breath. Dive in.
- Take your kids shopping for supplies. Hobby Lobby with two kids under 5 is one of the scariest experiences I’ve ever had. One time we were shopping for a picture frame and my son, the 2-year-old, insisted on holding the basket. Every time he swung around, I envisioned shattered frames all over the floor. That said, when I take the kids with me to buy craft supplies, they get inspired and excited about what we’re going to do. Our next project is to glue seashells we found on our trip to Florida to small wooden objects we found at Hobby Lobby. My son picked out a train, something I wouldn’t have bought if he hadn’t been with me. Giving him a choice in what to make, I hope, will keep him interested in the project.
- Keep it simple. I try not to spend a lot of money on arts and crafts, frankly because we don’t have a lot of wiggle room in our budget. Projects that use things you have around the house (like cereal boxes) or things you can find (like leaves, flowers or sea shells) cut down on costs. Our biggest art expenses tend to be things like glue sticks and clear contact paper. Otherwise, I look for things that are sitting around the house, like my stash of scrapbooking paper that I’m not using for scrapbooking right now, and paints I used for projects years ago before I had kids.
- Settle for imperfect. I want things to turn out right and look good. With kids as young as mine, that’s almost impossible when it comes to craft projects. If you look closely, my magazine files are misshapen and the paper is crooked. They may even be falling apart by now. Sometimes I lose it in my quest for perfection, but I’d rather my kids learn to try things and get it wrong than be afraid of trying anything because they know it won’t be right. Besides, it’s art. That’s one of the beauties of creative projects. If you make a mistake, you can convince people you did it on purpose and it was just your creative spin on the project.
What am I missing? How do you make craft projects fun for your kids?