• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • Home
  • The words
  • The writer
  • The work

Beauty on the Backroads

Stories of grace for life's unexpected turns

new fiction

So nice I read it twice: Review of Isle of Shadows by Tracy Higley

October 31, 2012

I’ve been enjoying Tracy Higley’s biblical fiction for a year and a half now. Her stories are well-researched, well-written and have biblical application for the modern reader.

Her latest release, Isle of Shadows, is an updated re-release of a book she wrote four years ago. I first read it a year or so ago. I read it again last week and found it just as, if not more, enjoyable than the first time. Tracy has made some significant edits to the story, and it’s hard to put down. If you need a virtual trip to Greece, let this book take you there.

Isle of Shadows is set in Rhodes, Greece, 7 days before a major earthquake hits the region. Tessa, a slave and professional female companion to a leading politician, seeks freedom at any cost. When we first meet her, she’s contemplating taking her life–her only hope, so she believes–of freedom. Then her “owner” accidentally dies and Tessa begins to nurture a seed of hope. With the help of a Jewish servant, Simeon, and Nikos, a Greek slave who recently arrived on the island, Tessa crafts a plan for her freedom while seeking answers to political power moves taking place.

Even having read this book before and knowing how it ends, I was totally wrapped up in the story. I couldn’t put it down. The book releases next month. Read on for a plot summary and the first chapter. (It was previously released as Shadow of Colossus.) Put this one on your “to read” list. You won’t be sorry.

I received a free electronic copy of Isle of Shadows in exchange for this review.

Isle of Shadows

ABOUT THE AUTHOR:

Tracy started her first novel at the age of eight and has been hooked on writing ever since. After earning a B.A. in English Literature at Rowan University, she spent ten years writing drama presentations for church ministry before beginning to write fiction. A lifelong interest in history and mythology has led Tracy to extensive research into ancient Greece, Egypt, Rome and Persia, and shaped her desire to shine the light of the gospel into the cultures of the past.

She has traveled through Greece, Turkey, Egypt, Israel, Jordan and Italy, researching her novels and falling into adventures.

Visit the author’s website.

ABOUT THE BOOK:

In a world enslaved

by money and power

One woman dares to be free

The place is the island of Rhodes; the time, 227 BC. In the ten years that Tessa of Delos has been in bondage as a hetaeira, a high-priced Greek courtesan to a wealthy politician, she has learned to abandon all desire for freedom and love. But when her owner meets a violent death, Tessa is given the chance to be free—if she can hide the truth of his death and maintain a masquerade until escape is possible. Now Tessa must battle for her own freedom and for those she is beginning to love, as forces collide that will shatter the island’s peace and bring even its mighty Colossus to its knees.

Chapter 1

Rhodes, 226 B.C.

Seven days before the great quake

In the deceitful calm of the days preceding disaster, while Rhodes still glittered like a white jewel in the Aegean, Tessa of Delos planned to open her wrists.

The death of her body was long overdue. Her soul died ten years ago.

Ten years this day.

Tessa dragged in a breath of salty air and shivered. From her lofty position outside Glaucus’ hillside home, she watched the dusk-held city’s torches flicker to life. Across the capital, the day’s tumult at the docks slowed. The massive statue of Helios at the harbor’s frothy mouth caught the sun’s last rays as it slipped into an cobalt sea. The torch he thrust skyward seem to burst aflame, as though lit by the sun god himself.

He had been her only constant these ten years, this giant in the likeness of Helios. A central figure, as life ripped freedom and hope from her. Painful as it was, tonight she wanted only to remember. To be alone, to remember, and to mourn.

“Tessa!” A wine-sodden voice erupted from the open door behind her.

The symposium began only minutes ago, but Glaucus was already deep into his cups. Bad form in any company, but he rarely cared. Tessa inhaled the tang of sea air again and placed a steadying hand against the smooth alabaster column supporting the roof. She did not answer, nor turn, when she heard her fat master shuffle onto the portico.

“Get yourself back into the house!” Glaucus punctuated his command with a substantial belch.

“Soon,” she said. “I want to watch the sun god take his leave.”

A household servant crept out and set two torches blazing. An oily smell surged, then dissipated. From the house floated harsh laughter, mixed with the tinny sound of a flute.

Glaucus pushed his belly against her back and grabbed her arm. The linen chitôn she’d taken care to arrange perfectly fell away, exposing her shoulder. She reached to replace it, but Glaucus caught her hand. He brought his mouth close to her ear, and she could smell his breath, foul as days-old fish. “The others are asking for you.” He raised his voice to a sing-song. “‘Where is your hetaera, Glaucus?’ they say. ‘The one with more opinions than Rhodes has ships.’”

Tessa closed her eyes. She had long entertained Glaucus’ political friends with her outspoken thoughts on government and power. While his wife remained hidden away in the women’s quarters, Glaucus’ hetaera was displayed like an expensive pet with sharp teeth. She had once believed she led an enviable life. But the years had stripped her illusions.

She stroked the polished filigree of the gold necklace encircling her throat and remembered when Glaucus fastened it there, a gilding for his personal figure of bronze.

“Now, Tessa.” Glaucus pulled her toward the door. Her heart reached for the statue, clinging to her first memory of it, when Delos had been home and innocence had still been hers.

When I open my wrists, I will do it there.

The andrôn, central room of the men’s quarters, smelled of roasted meat and burning olive oil. Glaucus paused in the doorway, awaiting the attention of those who had curried enough of his favor to be invited tonight. When the small crowd lounging on low couches at the room’s perimeter turned his way, he pushed her into the lamp-lit center. “Tessa, everyone,” he shouted. “Making a grand entrance!”

The room laughed and clapped, then returned their attention to the food and wine on the three-legged tables beside them. In the corner, a young girl dressed in gauzy fabric blew thin streams of air into a small flute. Tessa’s eyes locked onto the girl’s for a moment. A private understanding that they were both objects of entertainment passed between them, and the girl looked away, as though ashamed to be seen so clearly. A fervent desire to protect the girl surfaced in Tessa, a maternal feeling that of late seemed only a breath away.

Glaucus pulled her to a couch and forced her down onto the gold-trimmed red cushions. He lowered himself at her right and leaned against her possessively. A black pottery bowl with gold designs waited in the center of their table and Glaucus ladled wine into a goblet for her. To the rest of them he said, “To Tessa… always the center of attention!” He raised his own cup, as did the fifteen or twenty people around the room.

Tessa’s gaze swept the andrôn, taking in the majority of men and the few women reclining against them. The moment suspended, with cups raised toward her, drunken and insincere smiles affixed to faces, lamplight flickering across tables piled with grapes and almonds and figs, and the flute’s lament behind it all.

Will I remember this night, even in the afterlife?

“To Tessa!” Shouts went round the room, cups were drained and thumped back to tables, and the party quickened around her. Glaucus reached for her, but she pushed him away.

He laughed. “It would appear my Tessa is a bit high-spirited tonight,” he said to the others. “And what shall be done with a mischievous hetaera?” His thick-lipped smile and raised eyebrow took in the room and elicited another round of laughter. He nodded, then turned his attention to the man on his right, resuming a conversation whose beginning she must have missed.

“Your objections earlier to the naturalization of the Jews are noted, Spiro. But to extend citizenship to the foreigners among us can often be expedient.”

Tessa could not see Spiro, his frame completely blocked by the bulk of Glaucus beside her. But his voice poured like warm oil, but underneath, Tessa heard the cold iron of his anger. He was one of few with the rank to contradict Glaucus publicly. “Like-minded foreigners, perhaps,” Spiro said. But the Jews make it no secret that they despise Greek ways. They disdain even our proudest achievement as Rhodians – our Helios of the harbor. They must be expunged, not embraced by weak-willed politicians who -”

Glaucus raised a pudgy hand. “You presume an authority not given to you, Spiro.”

“Only a matter of time, Glaucus.”

Glaucus snorted. “Again you presume. The people of this island are too clever to replace solid leadership with seductive charm.”

Spiro laughed quietly. “You have never been so complimentary, Glaucus. Seductive charm? I didn’t realize you had noticed.”

Glaucus shook his head. “Perhaps the women are affected, but it is the men who vote.”

Tessa sensed Spiro lean forward, his eyes on her. “And we both know where men’s decisions come from.”

Glaucus snorted again and swung his legs to the floor. It took several tries to raise his body from the cushions. “Get drunk, Spiro. Enjoy your delusions for one more night. But next week I sail to Crete, and I expect them to fully support my efforts.” He nudged Tessa with a sandaled toe. “Don’t go anywhere. I will be back.”

Tessa watched him leave the room, relief at his temporary absence flooding her. She was to travel to Crete with him next week. She had no intention of ever stepping onto the ship.

The previously unseen Spiro slid to her couch now, an elbow on the red cushion Glaucus had just vacated. He was older than she, perhaps thirty, clean-shaven like most of the others, but wore his jet-black hair longer, braided away from his face and falling just above his shoulders. His eyes, deep-set and darker than the night sea, studied hers. A smile played at his lips. “What are you still doing with that bore, Tessa? You could do better.”

“One slave master is as another. To have something better is only to be free.” She was not truly Glaucus’ slave in the usual sense, and Spiro knew it, but it made little difference.

Spiro smiled fully now, and his gaze traveled from her eyes, slowly down to her waist. He took liberties, but Tessa had long ago become heedless of offense. “That is what I like about you, Tessa. One never meets a hetaera that speaks of freedom. They are resolved to their place. But you are a hetaera like no other in Rhodes.”

“Why should I not be free?”

Spiro chuckled softly and inched closer. “Why, indeed? Ask the gods, who make some women wives and give others as slaves.” Spiro’s hand skimmed the cushions and came to rest on her thigh. “If you were mine, Tessa, I would treat you as the equal you deserve to be. Glaucus acts as though he owns you, but we all know he pays dearly for your favors. Perhaps it is you who owns him.” Spiro’s fingers dug into her leg and his eyes roamed her face and body again. Tessa felt neither pleasure nor disgust, a reminder that her heart had been cast from bronze. But a flicker of fear challenged her composure. Spiro, she knew, was like one of the mighty Median horses. Raw power held in check, capable of trampling the innocent if unleashed.

A shadow loomed above them, but Spiro did not remove his hand. Instead, he arched a perfect eyebrow at Glaucus and smiled. Tessa expected anger, but Glaucus laughed.

“First you to think to rule the island, Spiro, and now you think to steal Tessa from me, as though she has the free will to choose whom she wants?” Spiro shrugged and moved to the next couch. Glaucus plopped down between them again. “She will never be yours, Spiro. Even when I am dead, her owner will only hand her to the next in line to have paid for her.” He waggled an finger at Tessa. “She is worth waiting for, though, I can tell you.” Another coarse laugh.

Something broke loose in Tessa then. Caused, perhaps, by the vow taken while drinking in the memories of the harbor’s bronze statue, and the assurance that soon nothing she did would have consequence. Or perhaps it was ten years of a ruined life, commemorated this night with nothing more than continued abuse. Whatever the reason, she rose to her feet. The room silenced, as though a goddess had ascended a pedestal. She lifted her voice.

“May the gods deal with you as you have mistreated me, Glaucus of Rhodes. I will have no part of you.”

Glaucus grabbed her arm.

“Your heart is not in the festivities tonight, my dear. I understand. I will meet you in the inner courtyard later.”

He did this to save face, they both knew. Tessa wrenched her arm free of his clutching fingers, glanced at Spiro, and felt a chill at the look in his eyes. She raised her chin and glided from the andrôn.

In the hall outside the room, she looked both directions. She had no desire to stay, yet the world outside the house was no more pleasant or safe for her. She turned from the front door and moved deeper into the house.

The hallway opened to a courtyard, with rooms branching in many directions. Along the back wall, a colonnaded walkway, its roof covered with terra cotta tiles, stretched the length of the courtyard. A large cistern gaped in the center. Beside it stood a large birdcage. Its lone inhabitant, a black mynah with an orange beak, chirped a greeting.

Glaucus had said he would meet her here later, but from the sounds of the laughter behind her, the party raged without her. She should be safe for a few minutes at least. She crossed to the mynah she had adopted as her own, simply named “Mynah.” Tessa put a finger through the iron bars and let Mynah peck a hello.

Her head throbbed, as it always did when she wore her hair pulled back. She reached above her, found the pin that cinched her dark ringlets together, and yanked it. Hair loosed and fell around her, and she ran her fingers through it in relief.

A sharp intake of breath from across the room jarred her. She whirled at the sound. “Who’s there?”

A soft voice in the darkness. “I am sorry, mistress. I did not mean to startle you.”

Tessa’s heart grasped at the kindness and respect in his voice, the first she’d encountered this evening. She put a hand to her unfastened hair. Somehow she still found it within herself to be embarrassed by the impropriety he had discovered.

The man took hesitant steps toward her. “Are you ill, mistress? Can I help you in some way?” He was clean-shaven and quite tall, with a lanky build and craggy face, Glaucus’ Jewish headservant, Simeon.

“No, Simeon. No, I’m not ill. Thank you.” She sank to a bench. The older man dipped his head and backed away.

Tessa reached out a hand. “Perhaps – perhaps some water?”

He smiled. “I’ll only be a moment.”

She had disgraced Glaucus tonight, in spite of his effort to laugh off her comments. How would he repay the damage she had done him? His position as a strategos of the polis of Rhodes outranked all other concerns in his life, and he would consider her disrespect in front of other city leaders as treasonous.

In the three years since Glaucus had paid her owner the hetaera price and she had become his full-time companion, they had developed an unusual relationship. While he would not allow her to forget that she was not free, he had also discovered her aptitude for grasping the intricacies of politics, the maneuvering necessary to keep Rhodes the strong trading nation that it was, and to keep Glaucus in leadership within this democratic society. Power was a game played shrewdly in Rhodes, as in all the Greek world, and Glaucus had gained a competitive edge when he gained Tessa.

Rhodian society had declared her to be a rarity: beautiful, brilliant, and enslaved. But the extent to which the decisions of the city-state passed through her slave-bound fingers was unknown to most. And in this, she held power over Glaucus. She recalled Spiro’s unknowing, yet astute, comment earlier… “Perhaps it is you who owns him.”

Simeon returned, a stone mug in his hands. He held it out to her, and covered her fingers with his own gnarled hand when she reached for it.

His eyes returned to her hair. “I – I have never seen you with your hair down,” Simeon said. He lowered his gray head again, but did not back away, and his voice was soft. “It is beautiful.”

Tessa tried to smile, but her heart retreated from the small kindness. “Thank you.”

He didn’t look up. “If you are not ill, Tessa, perhaps you should return to the symposium. I should not like to see Glaucus angry with you.”

Tessa exhaled. “Glaucus can wait.”

Another noise at the courtyard’s edge. They both turned at the rustle of fabric. A girl glided into the room, dressed in an elegant yellow chitôn, her dark hair flowing around her shoulders. She stopped suddenly when she saw them.

“Simeon? Tessa?” What are you doing here?”

The man beside her bent at the waist, his eyes on the floor. “The lady was feeling ill. She requested water.” His eyes flicked up at Tessa, the expression unreadable, and then he left the room.

Tessa turned her attention to the girl, inhaling the resolve to survive this next encounter. At fourteen, Persephone hovered on the delicate balance between girl and woman. Glowing pale skin framed by dark hair gave her the look of an ivory doll, but it was her startlingly rare blue eyes that drew one’s attention. In recent months, as she had gained understanding of Tessa’s position in her father’s life, she had grown more hostile.

She raised her chin and studied Tessa. “Does my father know you’re out here?” Her tone contradicted the delicacy of her features.

Tessa nodded.

“So he let his plaything out of her cage?”

Tessa’s eyes closed in pity for the girl, whose mother had abandoned her for the comfort of madness.

The girl flitted to where Mynah cheeped inside her bars, picked a leaf from a potted tree, and held it to the bird. “But who am I to speak of cages?” she said. She raised her eyes to Tessa. “We are all trapped here in some way. You. Me. My mother.”

“Cages can be escaped,” Tessa said, surprising herself. She had never dared to offer Persephone wisdom, though her heart ached for the girl.

Persephone turned toward her, studied her. “When you find the key, let me know.”

“Tessa!” The voice was thick with wine and demanding. Tessa turned toward the doorway. The girl beside her took a step backward. “There you are,” Glaucus said. “I’ve sent them all away.” He waddled toward them. “I am sick of their company, also.” He seemed to notice the girl for the first time. “Persephone! Why are you not in bed? Get yourself to the women’s quarters.”

Tessa could feel the hate course through the girl beside her as if it were her own body. “I am not tired. I wished to see the stars.” She pointed upward.

Glaucus stood before them now, and he sneered at Persephone. “Well, the stars have no wish to see you. Remove yourself.”

“And will you say goodnight to Mother?” Persephone asked. The words were spoken with sarcasm, tossed to Glaucus like raw bait. Tessa silently cheered the girl’s audacity.

Glaucus was not so kind. “Get out!”

“And leave you to your harlot?” Persephone said.

In a quick motion belying his obesity, Glaucus raised the back of his hand to the girl and struck her against the face. She reeled backward a step or two, her hand against her cheek.

Tessa moved between them. “Leave her alone!”

Glaucus turned on Tessa and laughed. “And when did you two become friends?” he said.

Persephone glared into her father’s corpulent face. “I despise you both,” she said.

Glaucus raised his arm again, his hand a fist this time, but Tessa was faster. She caught the lowering arm by the wrist and pushed it backward. Glaucus rocked back on his heels and turned the hatred on her.

Tessa kept her eyes trained on Glaucus, but spoke to the girl, her voice low and commanding. “Go to bed, Persephone. I will deal with your father.” She sensed the girl back away, heard her stomp from the room.

The anger on Glaucus’ face melted into something else. A chuckle, sickening in its condescension, rumbled from him.

“High-spirited is one thing, Tessa. But be careful you do not go too far. Remember who keeps you in those fine clothes and wraps your ankles and wrists in jewels. You are not your own.”

But I soon will be.

Glaucus reached for her, and she used her forearm to swat him away like a noisome insect. “Don’t touch me. Don’t touch her. Take your fat, drunken self out of here.”

The amusement on Glaucus’ face played itself out. The anger returned. Tessa was ready.

Glaucus’ words hissed between clenched teeth. “I don’t know what has come over you tonight, Tessa, but I will teach you your place. You belong to me, body and spirit, and I will have you!” His heavy hands clutched her shoulders, his alcohol-soaked breath blew hot in her face. Every part of Tessa’s inner being rose up to defend herself.

Ten years would end tonight.

Filed Under: Fiction, The Weekly Read Tagged With: biblical fiction, earthquake, Greece, new fiction, tracy higley

Hold on to your stetsons: Review of Borders of the Heart by Chris Fabry

October 20, 2012

This summer, I was introduced to Chris Fabry as an author via the Tyndale Summer Reading Program. His book Not in the Heart is seriously the best piece of fiction I read this summer. It was so unique and memorable from its main character to its plot twists that I can’t say enough about it.

So, I jumped at the chance to review his latest release Borders of the Heart.

In short: Another winner.

Fabry has a gift for storytelling. From the first chapter, we’re immersed in the story, the conflict and the action. Borders of the Heart is a thrill ride from page 1 that doesn’t let up till the end.

Plot summary: J.D. Jessup is a farm hand in Arizona, having given up a music career in Tennessee. He’s running from his past when he comes face-to-face with the present: a beautiful young Mexican woman near death in the desert. When J.D. chooses to help Maria, despite his boss’s advice to call Border Patrol when he sees an illegal, J.D. becomes entangled in a plot that could kill them both.

Love story. Action. Suspense. This book has a little bit of everything.

Check out the trailer here to whet your reading appetite for this book.

For more from the author, read on for a Q&A with Chris Fabry.

 Q: Your newest novel, Borders of the Heart, addresses heavy topics such as illegal immigration, the U.S./Mexico drug trade and the cost of compassion. Where did you get your inspiration for the book?

A : Our family moved to Arizona in 2008 and since then I’ve known I wanted to write about this area of the country, a rich, desert existence with problems and possibilities. This book is not as much an “issue” book as it is a book about people who have to deal with lots of those issues as part of their daily lives. I don’t have an ax to grind on the topics, but I did want to show how real people are affected by these contemporary topics.

Q: Several of the characters in Borders of the Heart are dealing with things from their past. What lessons do your characters learn along the way?

A: The past is huge for each of us. I’m convinced many are “stuck” by something in the past that holds us back from being all God wants us to be. A reader will walk through that process with the main character, J.D., and I’m hoping they’ll see an authentic struggle.

Q: J.D. Jessup is faced with a very difficult moral dilemma when he weighs the decision to follow his boss’ very clear direction or his own heart when he discovers Maria near death. What lessons does this story provide for your readers?

A: Every choice we make in life comes with a cost. If we say yes to one thing, we may have to say no to something else. The choice J.D. makes is a good choice, and even good choices can lead to disastrous and deadly results. Can you believe that God is involved in even the difficult circumstances? I think that’s a huge reveal in this story for me. Does everything have to work out perfectly in the end in order for God to be glorified?

Q: How does the concept of redemption figure into your story? Was it gratifying to write about redemption? Why or why not?

A: A lot of people don’t like the word “saved.” It’s old fashioned and not in vogue. I think the term is loaded with truth because if you’re on the verge of death and someone “saves” you, you know exactly what that means and how grateful you would be. Characters in this story get rescued from certain death and when the stakes are that high, I can’t help but get emotionally involved in the story.

Q: How does the concept of grace figure into your story? Was it gratifying to write about grace? Why or why not?

A: Grace is when we’re treated better than we deserve. Yes, characters discover that in the book as well. I love the concept of grace in such a gritty, tough story because you’re not expecting it. You’re expecting A+B=C and when grace invades, it catches you by surprise.

Q: Borders of the Heart clearly demonstrates that sometimes there is a cost to compassion. What made this an important story element for you? Why was it important for you to show that sometimes there is a cost for us when we behave compassionately?

A: You’ve heard the saying, “Freedom isn’t free.” The one who acts with compassion usually absorbs the pain of someone else. This is a picture of the cross, of the sacrifice made for us in Christ. This is another thread you’ll discover throughout the story.

Q: Have you ever been faced with a real-life hard choice or ethical dilemma like your main character J.D.? If so, what was your dilemma and did you feel like you made the right choice?

A: I’ve never had to decide whether to leave a person for dead or not, but I think every day we have a chance to sacrifice. Sometimes it’s a small thing, like taking time for your children when you have something REALLY important, like writing a few more paragraphs. I haven’t always passed those tests. My contention is, the details of everyday life will show what we’ll do with the big decisions. If you choose well in the small moments, the moments when no one is looking,you’ll choose well when a huge decision comes your way. Conversely, if you don’t see the little things as important, you might not make a good decision with the big decision.

Q: What do you hope your readers will take away from reading Borders of the Heart?

A: Borders of the Heart is at its core a love story. You will root for J.D. and Maria to survive and solve the mystery of what’s really going on in Tucson. And I hope readers will take away the truth that what looks impossible to people is possible with God’s power. Even if something looks hopeless, it’s really not when God is involved.

———————-

In exchange for this review, I received a free copy of Borders of the Heart from Tyndale House Publishers.

Filed Under: Fiction, The Weekly Read Tagged With: change of scenery, illegal immigrants, new fiction, running from the past, suspense novel, thrilling fiction, U.S.-Mexico border

  • « Previous Page
  • Page 1
  • …
  • Page 8
  • Page 9
  • Page 10
  • Page 11
  • Next Page »

Primary Sidebar

Photo by Rachel Lynn Photography

Welcome

Hi. I’m Lisa, and I’m glad you’re here. If we were meeting in real life, I’d offer you something to eat or drink while we sat on the porch letting the conversation wander as it does. That’s a little bit what this space is like. We talk about books and family and travel and food and running, whatever I might encounter in world. I’m looking for the beauty in the midst of it all, even the tough stuff. (You’ll find a lot of that here, too.) Thanks for stopping by. Stay as long as you like.

When I wrote something

May 2025
M T W T F S S
 1234
567891011
12131415161718
19202122232425
262728293031  
« Jun    

Recent posts

  • Still Life
  • A final round-up for 2022: What our December was like
  • Endings and beginnings … plus soup: A November wrap-up
  • A magical month of ordinary days: October round-up
  • Stuck in a shallow creek
  • Short and sweet September: a monthly round-up
  • Wrapping the end of summer: Our monthly round-up

Join the conversation

  • A magical month of ordinary days: October round-up on Stuck in a shallow creek
  • Stuck in a shallow creek on This is 40
  • July was all about vacation (and getting back to ordinary days after)–a monthly roundup on One very long week

Footer

What I write about

Looking for something?

Disclosure

Lisa Bartelt is a participant in the Bluehost Affiliate Program.

Occasionally, I review books in exchange for a free copy. Opinions are my own and are not guaranteed positive simply due to the receipt of a free copy.

Copyright © 2025 · Genesis Framework · WordPress · Log in